How great is that!! Cinema DNG 4K is real RAW, and it's full frame, and it's there on my SD card or SSD when I want it. In terms of the video I like how unique it is. practical. taking it slow, not too showy. Bit like a Leica M, but way more flexible. In terms of the stills I like the Fp as a gentleman's 'artist's tool' but one that is down to earth. In same way there will be times when an X-T3 gets a shot that the Fp's autofocus would be too much of a slouch for, but conversely times when the Fp will give you a wow factor that APS-C is too limited for. It's meant for sparing use on an art project or short film. it might even be better to shoot 10bit LOG when the next firmware update comes out because there are times when the sheer file sizes of RAW are just going to be a headache. Uncompressed 4K RAW is always going to be challenging for travels and shooting a lot. What you could do instead of being forced into a daily edit, is to simply convert the RAW to a LOG format, and archive the files on a 4TB drive for after the holiday. ![]() Plus, for stills, at night, the FP’s AF isn’t ideal. And I’d even be willing to shoot with the internal 8bit for the sake of losing the SSD, but, damn, fast sd cards are so much more expensive for way less capacity than the T5. And having the T5 strapped to the camera also takes away from the compactness of the camera. Not to say I’m disappointed with the FP at all, but the fact that I’m having to edit all the day’s footage each night in Resolve so that I can clear out the T5 for the next day’s footage isn’t the most convenient. Having recently gone from X-T3 to the FP, and the fact that I’m on holiday in Denmark with my family at the moment with the FP, I’d say go for the X-T3.
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